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Shipibo-Konibo artisans · Kene Rao Foundation

Master artisans.
One visual language.

Every kené that passes through kene.world is made, signed and paid at its source.

We work with the Kene Rao Foundation, a collective of embroiderers and painters in and around Pucallpa working to preserve Shipibo-Konibo design tradition — in communities between twelve and twenty hours by boat from the city.

Every piece is signed by its maker. Every piece pays its maker. Nothing is anonymous, and nothing is stylised into a nameless "artisan".

The roster

The hands the
lines belong to.

Portrait of Diamilda Bardales Vásquez

Diamilda Bardales Vásquez

Embroiderer · painter · jeweller

Pueblo Nuevo del Caco

Her signature is mayakené — the curving designs of rivers and the anaconda, the pattern that comes from the head of the serpent where the kené was first revealed.

Portrait of Simi Vásquez Maldonado

Simi Vásquez Maldonado

Master embroiderer

Nueva Nazareth

Wears shokené well — the oldest pattern of the Shipibo, from sho, the word for bone, and specifically the bones of the fish.

Portrait of Clara Celis Ramos

Clara Celis Ramos

Embroiderer · painter · ceramicist

San Francisco de Yarinacocha

Embroiders, paints, makes ceramics and jewellery — a complete master of every craft her mother knew.

More artisans work with the foundation than appear here; this page grows as portraits and permissions come through from Pucallpa.

Close-up of hand embroidery: a pink and blue flower worked in thread on dark cotton
Hand embroidery by Simi Vásquez Maldonado

What she feels

When a woman is bordando, in her thought are the rivers, the fish, the ancestors. She feels she is inside the forests, she connects with the ancestral world. Demer

The embroidery is a meditation. The cloth is what remains after the meditation is over.

What is kené →