kene.world

We work with the Kene Rao Foundation, a collective of embroiderers and painters in and around Pucallpa working to preserve Shipibo-Konibo design tradition — in communities between twelve and twenty hours by boat from the city.

Every piece is signed by its maker. Every piece pays its maker. Nothing is anonymous, and nothing is stylised into a nameless "artisan".

The roster

The hands the
lines belong to.

Portrait of Diamilda Bardales Vásquez

Diamilda Bardales Vásquez

Embroiderer · painter · jeweller

Pueblo Nuevo de Alcacocha

Her signature is mayakené — the curving designs of rivers and the anaconda, the pattern that comes from the head of the serpent where the kené was first revealed.

Portrait of Simi Vásquez Maldonado

Simi Vásquez Maldonado

Master embroiderer

Nueva Nazareth

Wears shokené well — the oldest pattern of the Shipibo, from sho, the word for bone, and specifically the bones of the fish.

Portrait of Clara Celis Ramos

Clara Celis Ramos

Embroiderer · painter · ceramicist

San Francisco de Yarinacocha

Embroiders, paints, makes ceramics and jewellery — a complete master of every craft her mother knew.

More artisans work with the foundation than appear here; this page grows as portraits and permissions come through from Pucallpa.

An artisan seated at her work, embroidering kené onto cloth stretched across her lap

What she feels

When a woman is bordando, in her thought are the rivers, the fish, the ancestors. She feels she is inside the forests, she connects with the ancestral world. Demer

The embroidery is a meditation. The cloth is what remains after the meditation is over.

What is kené →